"A linchpin makes a difference, changes people, does something that needed to be done that no one else knew needed to be done. So Pablo Picasso was a linchpin, Bob Dylan is a linchpin, and Jonathan Ive at Apple is a linchpin. Donna Sturgess, the woman who invented Aquafresh toothpaste, is a linchpin—they’re in most successful organizations."But what Seth touches on, and I think is a new thought, is the idea that when you create these unique ideas, you're essentially giving people a "gift." Which goes back to the questions of my portraiture class and the whole idea of creating art in the first place. Is a successful artist one whose art is no longer simply an expression of themselves, but who inspires and enlightens others? Can we do a side by side comparison of a "good" photographic portrait vs. "bad" and see that the good one offers insight, gives us a gift?
You encourage people to "start giving gifts that change people," which seems like a huge shift in thinking, almost bordering on spiritual.
Well, let's start by breaking this into little bits. What’s a gift? If I see a Chuck Close painting in a museum, I didn’t pay for that painting, I just get the benefit of seeing it. If I see a Karl Lagerfeld outfit walking down the street, it didn’t cost me anything to see it. If someone takes the time to use a beautiful Bodoni typeface kerned properly, it doesn’t necessarily communicate the words more clearly, but there was a gift element associated with it. We need to start with this idea that there isn’t just a transaction every time—I do something, I get money, we move on. What gifts do is they create a connection, because they’re not even. Someone gave me something, I couldn’t give them anything in return. We're not even-steven.
Naturally, just some thoughts to ponder.
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